Trying to suggest that the
Polaris Prize is absolutely right is ridiculous. Every year, sometimes at the short list,
sometimes before the long list, great albums fall aside to the eventual winner
of thirty thousand dollars and the prestige of winning the only music award
that matters in Canada. This prestige is
present because of the amazing judges doing a very good job of actually choosing the best
Canadian album. Past winners include Patrick
Watson, Fucked Up, and Arcade Fire; the latter winning a Grammy the same year.
Today the Short List was
announced. On it, some surprises, some
not so much. Under the surprise category
I’d put Drake’s Take Care, Cold Speck’s
I Predict a Graceful Expulsion, and
Yamantaka // Sonic Titan’s YT/ST. While
those albums left me surprised, Feist’s Metals,
Grimes’ Visions, and Fucked Up’s David Comes to Life were essentially
foregone conclusions. All three of these
albums are albums that critics adore for their unique characteristics. The final four artists (Cadence Weapon,
Kathleen Edwards, Handsome Furs, and Japandroids) all put out albums worthy of
being on the short list, but I don’t think you can label any of them as
favourites. In future posts I’ll be
exploring all the albums nominated for the Polaris Prize and complete the
journey with my prediction for the winner.
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